Morgoth and the 1st Age

After Brandon's comment on my "Knife in the Dark" post, I realized that I've neglected to provide any background on an important, if rarely mentioned character - Melkor, the original big bad guy whom the Elves call Morgoth or "Black Foe".

First thing to understand is that the Valar are divided into two "castes" for lack of a better word. At the beginning of time, the Ainur (the "higher" ranked caste) joined with Eru (the one God) to sing the world into creation. Melkor was the greatest among the Ainur and Eru's most trusted servant. While the other Ainur had individual realms that they ruled (for example: Ulmo - the sea, Orome - wildnerness, the hunt) Melkor held sway in each of these areas. So he was pretty damn powerful.

One of the big themes in the Silmarillion is the idea of the "creator". Tolkien's personal beliefs made him uncomfortable creating a polytheistic world and so he made a singular deity (Eru) above the "pantheon" he had already created. One of the outcomes of this was that only Eru has the power to create, which he does by creating the Elves and Men in Middle-Earth.

We can contrast with the story of the Dwarves. Aule, the Smith of the Valar, labored under the mountains of Middle-Earth and created the seven Dwarf fathers but he could not give them life - only Eru has that power. When Eru discovered, Aule offered to destroy them since he did not have the ability or permission to create, but Eru stayed his hand and gave the Dwarves life, but they could only awake after the Men and Elves did.

Now, Melkor was not humble about this ability like Aule was. He was a bit jealous of the ability to create and wanted to create his own ideas.

During the initial song of creation, Eru gave each Valar the notes that they needed to sing in order to create the world. Melkor decided to edit his parts and create something original. This change did not fit in with Eru's plan, and Melkor's new notes created discord in the song which is what Tolkien used to explain how bad things entered the world. The discord in the song created strife, pain, and suffering.

Morgoth by Ted Nasmith

Cast Out of the Valar

His strength of song was praised by Eru but he was admonished for being selfish and everafter, Melkor resented the other Valar and actively waged war against them.

When the Elves first awoke, Melkor was the first to encounter them and swayed many to his side, corrupting them into the Orcs. This is an important distinction because he did not CREATE the Orcs, only corrupted what already existed.

With the Orcs, evil men, as well as many other terrible and fell servents - spirits of the world manifested like Glaurung the father of all Dragons, or corrupted Maiar (which are the lower "caste" of the Valar) like Sauron - Melkor waged war against the Valar and caused much strife.

The Valar eventually assaulted Utumno, Melkor's fortress, and captured him. Chained in unbreakable chains, he was imprisoned in Mandos (purgatory) for a long, long time. After this, he pretended to be repentant and the Valar bought it because they didn't understand evil or the depth of Melkor's fall. 

He began to spread lies quietly among the Elves, sowing anger and dissent against the other Valar. The most vocal of these Elves was Feanor, a powerful lord and the greatest Elvish craftsmen to ever live. Feanor was brought before Manwe (think Zeus) for judgement and Melkor's lies were discovered leading to another massive manhunt for him. But Melkor evaded them and continued to seek the Silmarils - legendary, perfect jewels crafted by Feanor which not even Aule, the Smith "God" could make.

This hunt for the Silmarils and the ensuing back and forth conflict is known as the Silmarillion...

The Fall

Anyway, I want to save most of the Silmarillion for another time because there is just too many great stories. Beren and Luthien takes place here, as does the story of Turin Turambar, the greatest warrior who ever lived. And as mentioned before, Feanor is a fantastic character. He is Tolkien's Elvish equivalent to Original Sin and his story arc is very distinct from most Elves we encounter. We can have separate posts for each.

But Melkor is renamed Morgoth by Feanor meaning "Black Foe" and this is how he is known by later generations. Eventually, the Host of Valinor, led by brave lords of men and Elves and with the Valar joining as well. They capture Morgoth, bind him again, and this time cast him out into the "Void", the netherworld between worlds where he cannot escape.

His legacy lives on through Sauron who was his top lieutenant and inherited control over the fell creatures and the Orcs. The prophecy states that Morgoth will eventually escape his chains and return to the world causing the Dagor Dagorath or the apocalypse. At this time, Manwe (Zeus) will unleash all of the dead spirits and the full might of the Valar against the renewed hosts of Morgoth.

Hope this was useful in explaining more about the Great Enemy that is occasionally referenced in the Lord of the Rings but never explained!

Chapter 11: A Knife in the Dark

This chapter is a long one and covers quite a bit of ground. For simplicity's sake, I've divided the chapter into 3 sections.

Fire on Weathertop by Ted Nasmith

The Riders in Buckland

The first part of the chapter brings us back to Crickhollow and Fatty Bolger, who is still pretending that Frodo is holed up there to aid the Hobbits' flight through the Old Forest. However, this is the night that the Riders make themselves known and raid Frodo's house.

Silence descends on the house which must be strange considering how close it is to the Old Forest and it's many bugs and other noisy critters. Three shadowy figures enter the yard of Frodo's house and approach the door. As you can imagine, Fatty has bolted out the back door and is high-stepping it away as fast as his legs can carry him but the Riders don't know that.

They pound on the door, demanding that they open the door in the name of Mordor. A brave soul, indeed, is needed to refuse that.

Fatty has reached neighbors and began spreading the alarm. Word reaches Brandy Hall where the Master of Buckland (Merry's father) blows the Horn of Buckland to muster the Brandybucks and the other hobbits into a militia to repel the Riders. 

Can you imagine this? Put yourself in the position of the residents of Buckland. 

You've lived your entire life without hearing this horn, and most of your parents have never heard it either. Suddenly, in the middle of the night, a sound like rolling thunder blares over the hills, waking you and demanding your attention. Then, you are expected to heed the Master's call and appear, with pitchforks, clubs, whatever you might have, to repel the threat facing the land.

It's just a cool scene. Go re-read the beginning of this chapter.

Journey through the Marsh

The second part is more character development and historical fluff, detailing the departure from Bree and the slow slog through the Midgewater Marshes that separate Breeland from the barren lands guarded by Weathertop.

Frodo wakes the morning of their departure with a dream of hearing the Horn of Buckland. How does Frodo keep having these prophetic dreams? Tolkien has eschewed much outright magic, especially among those not of the older, nobler blood of the Elves (which includes the Numenorean men like Aragorn). Hobbits, Dwarves, and most men we encounter have no such proclivity.

Could these dreams be related to the Ring? My current favorite theory is that the Ring is acting a bit like a walkie-talkie here. Sauron is aware of who has the Ring but doesn't really know how to behave with someone else in possession of it (Isildur died and then it mostly disappeared. Gollum kept it in a pile and not always wearing it. Plus, it drove him mad). My theory is that these dreams are little bits of Sauron's experiences peeking their way into Frodo's head through the Ring. His dream here is about the Riders, who most certainly are intimately connected with Sauron and also fled from the Horn. Previously, he dreamed of Gandalf's escape from Isengard, which Sauron likely observed through the Palantir located there.

It's not a perfect theory, but I think its more plausible than Frodo somehow being a "seer" or something. Your thoughts?

Anyway, the party leaves Bree and they hit the road. Strider again speaks highly of his skills, boasting that he never takes the wrong path. Besides coming as a dismissal to Sam, it's important to remember that in the books, Aragorn is the one who argues against going to Moria the most. Gandalf convinces the others, however, and he reluctantly goes along. Turned out that Strider, indeed, never takes the wrong path. Willingly, at least.

They slog their way through the marsh and reach the barren, empty lands leading up to Weathertop. Frodo makes a crack while walking about losing so much weight, joking that soon, "I shall become a wraith". Strider is not amused by the joke, and this line is fairly prophetic to what happens at the end of the chapter when he is stabbed by a morgul blade and is in danger of becoming, you guessed it, a wraith.

I just noticed this line on the current read-through. Good stuff.

Storytelling and Conflict at Weathertop

The last portion of this chapter is dominated by two large history dumps, one about Gil-Galad, the last Elven High King, and the other about Beren and Luthien.

As they approach Weathertop, Strider explains this was once a great watchtower of the Northern kingdom and was where Elendil (Isildur's father) waited with his host for Gil-Galad and the Elven armies to join him on the march south to Mordor. Just when he is about to explain more about Gil-Galad, Sam bursts into song and sings a lovely ballad about the king.

Sam! As if we needed more reasons to like him, he sheepishly explains that he learned the song from Mr. Bilbo and memorized it years ago. Sam, our Elven scholar. Strider is also pretty impressed by Sam's knowledge of this ancient song and also impressed by Bilbo for having translated it. Bilbo must've been pretty busy the past 50 years translating all bits and pieces of Elvish history he could find. 

Also telling because it shows that Strider knows Bilbo. Not surprising, really, but shows that Bilbo wasn't the "hermit" many of the hobbits believed him to be.

Secondly, while the party waits in the night for the Riders to appear, Strider sings them the ballad of Beren and Luthien. This is an abbreviated story that is told in much greater detail in the Silmarillion and is one of the deepest and most tragically beautiful stories Tolkien told. 

I've written about it a bit previously, but Luthien was an elf (half-deity really, her mother was akin to Gandalf) and Beren was a lord of men. He fell in love with her and begged her father, King Thingol for her hand. He refused and set upon Beren an impossible task: retrieve a Silmaril from Morgoth (Sauron's boss). Beren, like a boss, puts his man-pants on and marches into Angband, and steals away a Silmaril from Morgoth's crown. It's kind of like the 12 Labors of Hercules if you are familiar with that story.

Anyway, then Strider goes on and on about their sons and daughters, stating the Elrond is a grandson of theirs and all the Kings of Numenor are descendents as well. Which, lets us know that Strider is of their blood and that story is especially touching since he is also in love with an elf whose father disapproved of the match. And also one where the elf chose mortality. And as a highlight, Arwen is also of their blood so its part of each of their legacies.

Again, not super relevant to this story, but super cool and worth a read.

The Attach of the Wraiths by Ted Nasmith

Conclusion

Finally, we hit some action. The wraiths appear and Frodo, in his fright, puts on the Ring (at the Ring's urging...) He sees the Riders in their full and terrible splendor. He sees their long white hair with their leader wearing a full crown upon his head. This is big news if the Witch-King of Angmar himself has appeared. He stabs Frodo, showing that they can see through the Ring's magic (because they are in the spirit world and not the physical one mostly).

The wraiths only flee when Aragorn scares them away with fire. Well, shit. It's still over 10 days from Rivendell and we got a slowly dying important hobbit here.

Chapter 10: Strider

Chapter 10 is where we really dive into the character of Strider and get to know who this mysterious person is. But, like most of Tolkien's major characters, we're left with as many questions as answers.

At the Sign of the Prancing Pony by Ted Nasmith

Let's start with a quick run-down of the chapter:

1. Hobbits return to their room at the Prancing Pony to find Strider already there
2. They talk.
3. Butterbur interrupts and gives Frodo a letter from Gandalf that had been left several months back
4. Strider is confirmed as legit in the letter
5. Merry returns from stroll about town with news of the Riders. 
6. Everyone agrees to go with Strider

The two most interesting pieces of this chapter to me are finding out more about Strider's personality and reading the contents of Gandalf's letter.

Strider's Personality

Strider is a very bold personality in the book and a bit unlike his representation by Viggo Mortenson in the Peter Jackson films. Now, this isn't to say Viggo's interpretation was bad (in fact, I think it was very good!) but the more I read, the more I understand the differences in character.

In the books, Strider is a bit sarcastic and much more outspoken. When Butterbur comes by and warns Frodo about Strider being dangerous (a common sentiment for folks who don't know much about the mysterious rangers), Strider replies mockingly, calling Butterbur, "A fat innkeeper who only remembers his own name because people shout it at him all day." This doesn't sound much like a line that they would utter in the film.

In fact, throughout the book, he seems more of the "young lordling" who is well aware of his birthright and his own skill and is eager to prove himself. Outside of this chapter, when the party reaches Edoras and Hama asks him to leave the sword Anduril at the door, Strider threatens him with swift death if Hama touches the sword. That's pretty brazen in the city of a king you are trying to woo. Inside this chapter, he again shows a sarcastic side when Sam suggested that Strider might take the Ring. He laughed and rose to his feet, drawing his sword and brandishing it at the Hobbits to show them that he certainly could take it by force if he wanted to.

Note: He doesn't though. Would Boromir have been as strong in this instance? Since I don't think the Ring would prefer to be owned by a stranger than a weak little Hobbit, I doubt it would have actively pushed itself into others' minds. The Ring really only starts doing so after it realizes that Frodo won't succumb to its temptation and that it should try someone made of less stern stuff.

But isn't it understandable that Strider is a bit more cocksure than in the films where he had a sort of cool, quiet confidence? He grew up in the House of Elrond (one of the 3 most powerful Elves in Middle Earth), alongside Elrond's two sons who are mighty warriors in their own right. He grew up hearing the tales of his people's glory and spent his youth already crowned the Chieftain of the Dunedain after his father died early. He was raised and trained to understand how important he was, how can we be surprised if he realizes this too?

Sure, he is 87, but he lives into his 200s. He is a young guy, and I think his brazenness is a great way for Tolkien to express his upbringing without being over the top and spelling it directly out.

Gandalf's Letter

Gandalf's letter is a key part of this chapter and explains quite a bit about what's been going on and who Strider is. This letter was meant to sent to Frodo but Butterbur forgot and so is delivering it here.

The letter tells us that Strider's real name is Aragorn, and that he is a friend. This is pretty high praise indeed, coming from an immortal wizard. He advises the Hobbits that Aragorn knows about what is going on and can help take them to Rivendell to meet with Lord Elrond if Gandalf is not there. At this point, we don't know the details of Aragorn's past, but Gandalf trusting him to take the Ring across weeks of wilderness to one of Middle-Earth's most powerful beings is pretty substantial.

The letter was also supposed to be delivered months ago, which is significant because it warns Frodo to make haste in leaving the Shire. Instead, Frodo dallied about and didn't leave until much later than Gandalf had hoped. In the letter, he also explains the Black Riders and warns Frodo to avoid them and beat them to Bree at all costs.

Frodo is a bit confused why Strider didn't reveal himself right away. Strider replies that he had to test Frodo too because the Enemy had laid plans to trap him previously. Who is this guy that is great enough that Sauron himself is plotting to get him.

Strider's Pledge

Strider knows quite a bit about the Riders, and is passionate about avoiding them. He is well-aware of who the Riders used to be and is superstitious about the Hobbits using the word "Mordor" directly with the Riders so close.

He also shares that he and his people have guarded the Shire for years (likely since Bilbo found the Ring, perhaps before?) waiting for something like this.

His oath to Frodo is very significant, binding Aragorn to Frodo and tying his own fate to the fate of the Ring.

"My name is Aragorn, son of Arathorn, and if by life or death I can save you, I will."

Remember at the end of Return of the King when he leads a practically suicide charge toward Mordor to distract them from hunting Frodo? Yep.

Chapter 9: At the Sign of the Prancing Pony

Tolkien dives into a bit of a history dump when the Hobbits approach Bree, which is good since we know little to nothing about the non-Hobbit world thus far. Remember, the story begins with a lengthy exposition on Hobbits and their customs, we can't expect there to be no exposition here.

For this post, I want to explore the people and history of Bree and do so by looking at some maps of it in relation to the old kingdoms. I think this is very important because it sets the stage for why Bree is easily the most diverse village we see during the trip (including the much larger city of Minas Tirith) and why its important that the Hobbits experience this first.

First, the Bree folk claim to be original inhabitants of the land, there long before the Kings came across the sea (meaning the Numenoreans) so Bree is an old village indeed. In fact, when Arnor (the northern kingdom was established) they simply said Bree was within their borders and the Bree-landers readily agreed.

The men of Bree are likely akin to the Dunlenders (remember those folks that hate Rohan so much?) as native men who never crossed the sea and settled west of the Misty Mountains. By the same token, they are both closer related to the Rohirrim than they are to Aragorn or the other individuals of Numenorean blood.

Here are several maps centered on Bree land that illustrates its importance. To understand it completely, a quick history lesson on the time periods we're talking about

1) Pre-Numenoreans

• Bree is settled by indigenous population of men
• Settled pre-third age so over 3,000 years earlier!

2) Claimed by Arnor

• Arnor was the Kingdom of the North of the Numenoreans who settled in Middle Earth. Gondor was the southern kingdom.
• Arnor was the more powerful, and the king ruled from Annuminas, which is directly north of the Shire and a ways northwest of Bree

3) Disputed between the kingdoms

• After 800 years of consecutive rule in the North, the King died and his three sons cannot decide who should rule.
• Annuminas, the former capital, is now in ruins after neglect.
• New capital, 100 miles north of Bree called Fornost is created.
• They split the kingdom in three
• Arthedain - the biggest and where the line of Isildur (Aragorn's ancestors) continue to rule. Rules from Fornost, claims Bree and also controls Weathertop
• Cardolan - south of Arthedain, also claims Bree, but less powerful
• Rhudaur - From Weathertop to Rivendell and north, this kingdom is hills and forests and little else
• Angmar is located just to the north of Rhudaur and Arthedain and so the Witch-King places a puppet of his on the throne of Rhudaur. Angmar and Rhudaur team up to fight Arthedain and Cardolan.
• After long period of wars, Angmar wins, crushes Arthedain and destroys Fornost
• Note that this is over 1,100 years after the kingdoms split
• The last King of Arthedain is slain  (Arvedui) and his son Aranarth decides not to rebuild the kingdom and becomes the first Chieftain of the Dunedain.

4) Free City

• Sometime during the rule of Arthedain and gigantic plague swept Middle-Earth reducing the populations substantially. This is why Bree is the largest city of men north of Edoras and is a village of ~100 houses
• Still on major crossroads, but with the fall of the kingdoms, there is no North-South road and the grass retakes the old trail.

Alright, that was a lot to take in so I won't add much more. Essentially, Bree has been at the center of action for thousands of years and although never the seat of kings or the site of great battles, has been a vital trading location and a gateway between the North and the South and the East and the West.

For the Hobbits, Bree is their gateway from a land of comfort and familiarity, to a grim and unforgiving world that is not much to their liking.

(Please comment with questions on history or if I seemed to just blaze over details. I tried to condense an awful lot of information into a short post and hope it was informative.)

Chapter 8: Fog on the Barrow-Downs

(I'm doing something new here where I bold and italicize Tolkien's words to draw more emphasis to them. Let me know if it helps or if I should do it differently)

In this chapter, Frodo and company set out across the foreboding Barrow-downs and are, of course, snatched by the wights into danger.

When Frodo comes to after fainting, he is in a Barrow - he assumes - and is flat on his back on a stone table with his arms crossed on his chest (remember, this is a tomb after all...) Looking around, the other Hobbits on on the ground near him but it is an otherwise empty room. The others look asleep or, worse, dead!

This is an important chapter because it really does define Frodo as courageous, much moreso than he appears in the films.

Under the Spell of the Barrow Wights by Ted Nasmith

Frodo's Courage

Upon looking around, Frodo at first feels frightened which is pretty understandable considering the dark tales of the Barrow-downs that have been his only experience with the region. Instead of cowering as one might expect, Frodo feels a stirring a courage and he thinks of words that Bilbo had often shared.

"There is a seed of courage hidden (often deeply, it is true) in the heart of the fattest and most timid Hobbit, waiting for some desperate danger to make it grow." Tolkien then explains how highly Gandalf and Bilbo thought of Frodo, considering him the best Hobbit in the entire Shire - which is quite high praise coming from this pair!

Frodo puts this into action as he sees a dismembered hand creep its way toward Sam. He grabs a nearby blade and hacks at the hand, keeping it away from his friends. 

This is the first act of clear and expressed violence in the book and it is Frodo who does it to save his friends. I think this is significant in defining his progression as a character and as a "trendsetter" of sorts among the Hobbits.

Fear grips Frodo again, however, as he hears the terrible chanting of the barrow-wights. Once again, Frodo finds courage and begins softly signing Tom Bombadil's song to call him to the Hobbit's side. The words bolster him as he sings and by the end, Tom has arrived by breaking down a wall to the room.

Tom promptly banishes the wights through his songs, shouting them down, proclaiming that his songs are stronger songs. (Power of the voice, yada, yada, yada)

Tom's Memory

After saving the Hobbits, Tom gathers up the treasure of the Barrow and sets it upon the now sunlit hilltop for all creatures to come and take as needed. He gives the Hobbits each a sword of old Arnorian make (back when Aragorn's ancestors ruled the North) which are still quite powerful. Upon giving these Tom comments on the swords' importance "Few more remember them,  yet still some go wandering,  sons of forgotten kings walking in loneliness,  guarding from evil things folk that are heedless"

Tom is talking about the Rangers of course! Wonder why the Shire hasn't seen any violence since wolves invaded a few centuries before? The Rangers. Why it is so strange to hear of evil things even around Bree where Hobbits have spent a good deal of time? The Rangers. 

The Hobbits, or Frodo at least, also receive another vision here on the expanse of the years since the forging of their new blades. They see lines of marching men, tall and grim in bright series, and the last among them came with a star upon his brow.  The reader who is familiar with the series knows that this is Aragorn, who is called Elessar (elf-stone) for the symbolic "star of Earendil" that the line of kings wore.

I only noticed this on a later read-through but this really sets up Aragorn much better than I had initially thought, and Toms words describes Aragorn, their leader, impeccably.

Tom also takes a small brooch adorned with blue stones for himself, saying "fair was she who long ago wore this on her shoulder" I took great interest in this quote when reading through this current time and thinking about who this lady was. Tom speaks of this brooch as if remembering a fond memory of ancient times. Similarly, it must have been long ago indeed if Tom is calling it long ago. This guy was there at the dawn of time remember?

I have come to two theories, each of which are plausible and there really isn't much else to help determine which one could be true

Theory 1: Luthien

The story of Beren and Luthien is one of Tolkien's best known works of the 1st Age (LOTR takes place in the 3rd Age) telling of the human Beren going through great, unbelievable tasks (like the tasks of Hercules) to be with the Elven-born Luthien.

Luthien is described as the most beautiful thing to have ever lived and her romance with Beren is the best love story that Tolkien wrote (Aragorn and Arwen are like a watered down parallel story to this). The brooch would presumably have been passed down through Luthien's descendents to her grandchildren Elros and Elrond. Elros chose to become a human, unlike his twin brother Elrond (yes, THAT Elrond) and Elros became the first King of Numenor and the ancestor to Aragorn. This brooch would have passed down the lines and eventually been in the hands of the rulers of the old Northern kingdom of Arnor when Aragorn's ancestors Elendil and Isildur ruled it. Eventually, it was lost with the rest of the Northern kingdom when the Witch-king invaded.

This theory also has some plausibility as Aragorn wears the Ring of Barahir, a legendary heirloom of his house that was traced back to Beren - Luthien's husband. I love the symbolism of the two relics being passed through the generations and one being lost represents the fall of the kingdom. When Tom recovers it, it's a sign that the dark days are done and the Return of the King is soon!

Theory 2: Noble lady of Arnor/Queen of Arnor

Similar to Theory 1, this places the brooch as an item of importance to the history of Arnor. Presumably, this brooch belonged to a noble lady, maybe even a queen, who met with Tom and Goldberry long ago before their kingdoms fell. This would perhaps fit better with the casual way that Tolkien describes the brooch without placing much importance on it.

Conclusion:

I'm going to keep thinking it belonged to Luthien. I love the parallel with the Ring of Barahir, and the ties to Tolkien's favorite female character (his wife's tombstone has the name "Luthien" engraved on it). I also think that it fits with Tom's reckoning of time (a few ages back was definitely a long time ago, even for him), and Tolkien is also not very descriptive of Glamdring, Gandalf's sword, when they find it in "The Hobbit." Glamdring was wielded by Turgon, one of the most powerful Elven kings to have lived, a fact that Gandalf surely would know since he knew the name of the sword, yet Tolkien omits it. Important historical things are not always called out explicitly by Tolkien.

In any case, I love moments like this where I can create my own reasoning for what something is and how it ties together. What do you think the brooch is?

Chapter 7: In the House of the Tom Bombadil Part 2

In the last post, I wrote about what I thought Tom Bombadil was and as importantly, what he is not.

This post will focus more on the events of the chapter and how Bombadil is actively affecting the narrative.

Bombadil and the Ring

First, as we've discussed in the last post, Tom does not have much interest in the Ring outside of it just being a curiosity.He simple laughs about it, slipping it on and off without much regard for its power and, more amazingly, not disappearing. So far, all characters we've seen have turned invisible under the power of the Ring but Bombadil does not. 

Well, Sauron was not invisible either. This goes back to an earlier discussion on the Ring and what it actually does. I think the Ring is a "Gateway" of sorts between the two worlds: the physical world of Middle Earth and the intangible shadow or spirit world. This is where the lands of Valinor are and why only men seeking the shores of Valinor like the Numenoreans did are unable to find it.

This "spirit" world still has much power and is very much real as evidenced by characters being able to traverse it with the Ring. Bombadil and Sauron do not disappear because they exist in both worlds at once. They are both a spirit and a physical entity. The Ringwraiths have become like this as well, having a physical body but appearing differently in the spirit world, even being able to see others in that world like they did atop Weathertop. Much like the Wraiths, Bombadil can see you even if you are wearing the Ring as Frodo finds out.

Bombadil's Stories

Tom shares an awful lot of history and stories, some of which is fairly cryptic and mysterious and most of which is not relayed to the reader by Tolkien. From what he does share, however, Tom talks about two important areas, the Old Forest where the Hobbits just were, and the Barrow-downs to the east where the Hobbits will be going.

Old Forest

The Old Forest is described as being ancient indeed, the remnants of a vast forest that once covered all of Eriador (western Middle-Earth). Another corner of this forest is Fangorn which we see later. Like Fangorn, the Old Forest is twisted and difference from other forests of Middle-Earth, infected by something darker and more primal than simply base nature.

Tom explains the Old Forest as an ancient forest where the "fathers of the fathers of the trees" live. Of course, he's referring to either Huorns or Ents here. Since Ents speak with the other races directly and Old Man Willow does not do this nor appear capable of doing this, he is probably a Huorn. But he wasn't the only Huorn in the Old Forest, as he is described as their strongest one, rotten with hate. Old Man Willow is also called a master of winds and song and through this he held dominion over nearly all the trees of the forest.  

What Tom is probably saying is that Old Man Willow is a great communicator among the Huorns and has swayed all of the others to his cause. Old Man Willow has seen the Old Forest shrink to its present size from the vast area of former ages, and without an Ent to watch over them and guide them towards peace, the Huorns have "fortified" the forest, singing Old Man Willow's songs to guide all intruders deep into the forest where he will kill them. It's certainly one way to preserve.

I think it's important to note that this is another example of the power of voice. Willow is described as a master of winds and song, pulling others to his side with his speech and slaying his foes with his peaceful "aura" which is really his song that the Hobbits can't understand. We'll be coming back to the power of voice again and again.

Barrow-downs

Tom does not have as much to say about the lands to the immediate east, the Barrow-downs except that it's a pretty desolate place. He describes the Downs as tombs of ancient kings and princes until a Shadow came over them and the dead rose again as wights.The Hobbits are frightened because they have heard the tales of the far-away Barrow-downs and the dead that live there but no Hobbit had ever seen proof. Of course, Tom doesn't go into this detail but the shadow that is described here is most likely the Witch King of Angmar's doing. Angmar was the chief rival of the northern kingdom of Arnor and the Witch King was and is one of Sauron's most powerful servants. The phrase "Shadows of Angmar" occurs several times throughout the series and the idea of Sauron's influence being a "shadow" is common as well.

Tom also described the area as a place where "kings of little kingdoms fought little battles" and just continues on. These are pretty major kings and pretty major battles in the history of men and Middle-Earth and Tom just doesn't care about it. Life goes on. The kingdoms crumbled and the kings are dead. New towns and leaders rose, but forest and nature remains, ever present.

Dreaming in the House of Tom Bombadil

That night, the Hobbits have some wicked dreams. First Frodo dreams of a man atop a tall tower flying away on an eagle. So how does Frodo dream of Gandalf escaping Isengard (which happens at this time)? Is it the magic of Bombadil? Is Gandalf using a previously unseen power? Is Frodo special?

My money is on a mix of 1 and 2. Bombadil's house probably is a spring of natural "energy" or "magic" in a sense. Gandalf also is incredibly powerful, much more so than we ever see in the books (directly at least) and certainly more than is shown on the big screen. Gandalf is worried about being late to meet Frodo and his desire to get back to Frodo might be picked up by Frodo who is sleeping in a magic antenna of sorts. This is all conjecture, but there aren't many visions in Tolkien so it's hard to dismiss out of hand as unrelated.

But after this vision, each Hobbit has some horrible dreams. Frodo dreams of the Riders and fears that they are outside the house, ready to get him..  Pippen dreams of the willows scraping the windows and mocking him, as if saying that as soon as he leaves Old Man Willow will grab them again. Merry dreams of a rising flood getting in the house despite efforts to repel it which only recedes after finding solid foothold.  Sam dreams of nothing.

What does this mean?

My thought is that each Hobbit dreams of what they currently fear most and by waking up safe and sound, its representing putting aside fears and pushing on because the fears can't stop you.

Frodo definitely fears the Black Riders, and Pippen was just trapped within the body of Old Man Willow so the willow trees are a frightening prospect right now. Merry's is a little more difficult to determine but my current thought is that he is concerned with the Shire more broadly and it being swept away in the coming problems. Merry grew up on the banks of the Brandywine River so a flood metaphor is probably common from his past and it seems so far that Merry has a bit broader view on things than some of the other Hobbits. 

Sam? He's not really that fearful of anything right now. The Riders are scary and he doesn't know what to expect outside of the Shire, but he has already faced the Riders (remember when he pushed Frodo down and jumped in front of him when Merry approached them at Buckleberry Ferry and they thought it was a Rider?) and he has swallowed his fear of being away from home already by crossing the river and going into the Forest. Sam might have his own fears (he certainly does) but he has already confronted them and pushed them down in his own mind. What a boss.

That was a long post. What are your thoughts? Do you think the Hobbits dreams mean anything else? Did I miss something important?

Chapter 7: In the House of Tom Bombadil Part 1

Tom Bombadil is probably the most polarizing character in the series. Some fans of the books scream bloody murder over Peter Jackson's decision to exclude him from the movies as he plays a very important role in getting the Hobbits out of the Shire and as a sentry of sorts between the peaceful Shire and the dangerous world around.

But those fans are wrong. Jackson was definitely right to not film Bombadil as he is completely unfilmable. Very little action, silly non-sensical songs as a main method of communication, and absolutely no backstory or explanation. Folks watching the movies would've hated it, and probably rightfully so. It was my 3rd reading of LOTR and after I dabbled in the Silmarillion that I really appreciated the character and began to understand what Tolkien is doing here.

This chapter is fairly slow in terms of what happens. Essentially, they hang out at Tom's place in the Old Forest for a few days before leaving for the Barrow-downs and the path to Bree. But this time of little action tells an awful lot about Bombadil, the world at large, and what is powerful in Middle-Earth.

This is Part 1 of 2 where I discuss the broader question "Who is Tom Bombadil?" Part 2 will focus on other themes such as how Tom interacts with the Ring, and interacts with other parts of Middle Earth.

Who is Tom Bombadil?

The $1 million question, and one with a simple answer.

"He is."

Goldberry announces this simply, as if it was obvious and unimportant. He just is. 

Frodo pushes on a bit, "does this land belong to him, then?"

Goldberry laughs, "The trees and grasses and all things growing or living in the land being each to themselves.  Tom Bombadil is the Master." Note the capital M, it's meant to be a title.

When asked directly by Frodo, Tom throws down a long quote full of interesting tidbits

Eldest, that's what I am.

Mark my words, my friends: Tom was here before the river and the trees; Tom remembers the first raindrop and the first acorn. He made paths before the Big People, and saw the little People arriving. He was here before the Kings and the graves and the Barrow-wights. When the Elves passed westward, Tom was here already, before the seas were bent. He knew the dark under the stars when it was fearless - before the Dark Lord came from Outside.

Well, shit.

So I think it's clear that Tom isn't some wayward Hobbit, or powerful wizard, but is something else entirely. Tom could be speaking hyperbolically, but nothing he has done up until this point indicates he would. Also, why? To impress the Hobbits?

Tom remembers the first raindrop and the first acorn, meaning he had a consciousness before the Elves and Men awoke from their slumber at the dawn of time. The world was full of life, but not the humanoid races, and it seems like Bombadil was there.

Additionally, he mentions that he was there before the Dark Lord came from the Outside, which likely implies Melkor (the original big bad ass of Middle Earth) and not the new-kid-on-the-block Sauron. Melkor came into Middle-Earth from the Outside, as in the void outside of Middle-Earth itself. This is Tolkien stretching deep into his mythos for a reference that most will miss but really is impactful to those who get it.

So what could Tom be?

Is he an Ainur? (one of the "pantheon" that helped Eru create the world and now rule it from Valinor)? Unlikely. These are nearly all accounted for, and only a major Ainur (Valar) could have the power Tom does. Gandalf is a Maiar (a "lesser" Valar) and he is very fearful of being given the Ring, afraid it would corrupt him. Saruman, another Maiar, is driven mad by his pursuit of the Ring and by fellow Maiar Sauron. Tom laughes at the Ring, throwing it on casually and not being overly concerned about it. Also, he wouldn't really be able to live on Middle Earth without the most powerful Valar Manwe approving it and that's not likely.

Is he a manifestation of Eru himself? Eru is the closest thing to God in Tolkien and is never directly interacted with outside the Silmarillion. However, Tolkien was a very religious man and it stands to reason that some religious tropes made it into the books. Bombadil is vastly powerful and also aloof, as if he has a higher concern than what happens on Middle-Earth. He measures time in millenia and even then, it's not that long. He has no fear or regard for the Ring, or any of the numerous cataclysms of Middle-Earth's history. He didn't fight against Melkor, or Sauron, and pretty much just hung out.  This was my favorite theory, until I read a letter where Tolkien dismissed this idea.

Is he a representation of "nature"? Probably. Bombadil is a way for Tolkien to engage with the fact that the modern world is creeping up everywhere and even old, dark forests cannot be immune to the effects. He's "Mother Nature" in a sense, the physical embodiement of the soul of Middle-Earth.

Can he be known? No and Tolkien is pretty clear in his letters. Bombadil is meant to be an enigma, and not to be unraveled because in all things there should be a sense of mystery. Not everything can be known, and accepting that is very important in Tolkien's mind.

My current favorite theory?

Tom is us. He is the "reader" transposed into Middle Earth. 

• He exists seemingly outside the normal boundaries of space and time (Eldest, etc
• His clothes are very unique and not a fit anywhere in Middle-Earth
• He is immune to the effects of the Ring, much like the reader knows the risks and also knows they cannot be harmed by it.
• Spoiler for the next chapter: Tom saves the Hobbits in the Barrow-downs after they sing a song to call him. He just appears and saves them as a reader can just appear, come in, and the story goes on

It's certainly not perfect but I like the idea that Tolkien painted a little window into his world where we can insert ourselves.

What are your favorite interpretations of Tom Bombadil?