Showing posts with label Luthien. Show all posts
Showing posts with label Luthien. Show all posts

Monday, May 6, 2013

Chapter 11: A Knife in the Dark

This chapter is a long one and covers quite a bit of ground. For simplicity's sake, I've divided the chapter into 3 sections.

Fire on Weathertop by Ted Nasmith

The Riders in Buckland

The first part of the chapter brings us back to Crickhollow and Fatty Bolger, who is still pretending that Frodo is holed up there to aid the Hobbits' flight through the Old Forest. However, this is the night that the Riders make themselves known and raid Frodo's house.

Silence descends on the house which must be strange considering how close it is to the Old Forest and it's many bugs and other noisy critters. Three shadowy figures enter the yard of Frodo's house and approach the door. As you can imagine, Fatty has bolted out the back door and is high-stepping it away as fast as his legs can carry him but the Riders don't know that.

They pound on the door, demanding that they open the door in the name of Mordor. A brave soul, indeed, is needed to refuse that.

Fatty has reached neighbors and began spreading the alarm. Word reaches Brandy Hall where the Master of Buckland (Merry's father) blows the Horn of Buckland to muster the Brandybucks and the other hobbits into a militia to repel the Riders. 

Can you imagine this? Put yourself in the position of the residents of Buckland. 

You've lived your entire life without hearing this horn, and most of your parents have never heard it either. Suddenly, in the middle of the night, a sound like rolling thunder blares over the hills, waking you and demanding your attention. Then, you are expected to heed the Master's call and appear, with pitchforks, clubs, whatever you might have, to repel the threat facing the land.

It's just a cool scene. Go re-read the beginning of this chapter.

Journey through the Marsh

The second part is more character development and historical fluff, detailing the departure from Bree and the slow slog through the Midgewater Marshes that separate Breeland from the barren lands guarded by Weathertop.

Frodo wakes the morning of their departure with a dream of hearing the Horn of Buckland. How does Frodo keep having these prophetic dreams? Tolkien has eschewed much outright magic, especially among those not of the older, nobler blood of the Elves (which includes the Numenorean men like Aragorn). Hobbits, Dwarves, and most men we encounter have no such proclivity.

Could these dreams be related to the Ring? My current favorite theory is that the Ring is acting a bit like a walkie-talkie here. Sauron is aware of who has the Ring but doesn't really know how to behave with someone else in possession of it (Isildur died and then it mostly disappeared. Gollum kept it in a pile and not always wearing it. Plus, it drove him mad). My theory is that these dreams are little bits of Sauron's experiences peeking their way into Frodo's head through the Ring. His dream here is about the Riders, who most certainly are intimately connected with Sauron and also fled from the Horn. Previously, he dreamed of Gandalf's escape from Isengard, which Sauron likely observed through the Palantir located there.

It's not a perfect theory, but I think its more plausible than Frodo somehow being a "seer" or something. Your thoughts?

Anyway, the party leaves Bree and they hit the road. Strider again speaks highly of his skills, boasting that he never takes the wrong path. Besides coming as a dismissal to Sam, it's important to remember that in the books, Aragorn is the one who argues against going to Moria the most. Gandalf convinces the others, however, and he reluctantly goes along. Turned out that Strider, indeed, never takes the wrong path. Willingly, at least.

They slog their way through the marsh and reach the barren, empty lands leading up to Weathertop. Frodo makes a crack while walking about losing so much weight, joking that soon, "I shall become a wraith". Strider is not amused by the joke, and this line is fairly prophetic to what happens at the end of the chapter when he is stabbed by a morgul blade and is in danger of becoming, you guessed it, a wraith.

I just noticed this line on the current read-through. Good stuff.

Storytelling and Conflict at Weathertop

The last portion of this chapter is dominated by two large history dumps, one about Gil-Galad, the last Elven High King, and the other about Beren and Luthien.

As they approach Weathertop, Strider explains this was once a great watchtower of the Northern kingdom and was where Elendil (Isildur's father) waited with his host for Gil-Galad and the Elven armies to join him on the march south to Mordor. Just when he is about to explain more about Gil-Galad, Sam bursts into song and sings a lovely ballad about the king.

Sam! As if we needed more reasons to like him, he sheepishly explains that he learned the song from Mr. Bilbo and memorized it years ago. Sam, our Elven scholar. Strider is also pretty impressed by Sam's knowledge of this ancient song and also impressed by Bilbo for having translated it. Bilbo must've been pretty busy the past 50 years translating all bits and pieces of Elvish history he could find. 

Also telling because it shows that Strider knows Bilbo. Not surprising, really, but shows that Bilbo wasn't the "hermit" many of the hobbits believed him to be.

Secondly, while the party waits in the night for the Riders to appear, Strider sings them the ballad of Beren and Luthien. This is an abbreviated story that is told in much greater detail in the Silmarillion and is one of the deepest and most tragically beautiful stories Tolkien told. 

I've written about it a bit previously, but Luthien was an elf (half-deity really, her mother was akin to Gandalf) and Beren was a lord of men. He fell in love with her and begged her father, King Thingol for her hand. He refused and set upon Beren an impossible task: retrieve a Silmaril from Morgoth (Sauron's boss). Beren, like a boss, puts his man-pants on and marches into Angband, and steals away a Silmaril from Morgoth's crown. It's kind of like the 12 Labors of Hercules if you are familiar with that story.

Anyway, then Strider goes on and on about their sons and daughters, stating the Elrond is a grandson of theirs and all the Kings of Numenor are descendents as well. Which, lets us know that Strider is of their blood and that story is especially touching since he is also in love with an elf whose father disapproved of the match. And also one where the elf chose mortality. And as a highlight, Arwen is also of their blood so its part of each of their legacies.

Again, not super relevant to this story, but super cool and worth a read.

The Attach of the Wraiths by Ted Nasmith

Conclusion

Finally, we hit some action. The wraiths appear and Frodo, in his fright, puts on the Ring (at the Ring's urging...) He sees the Riders in their full and terrible splendor. He sees their long white hair with their leader wearing a full crown upon his head. This is big news if the Witch-King of Angmar himself has appeared. He stabs Frodo, showing that they can see through the Ring's magic (because they are in the spirit world and not the physical one mostly).

The wraiths only flee when Aragorn scares them away with fire. Well, shit. It's still over 10 days from Rivendell and we got a slowly dying important hobbit here.

Monday, April 15, 2013

Chapter 8: Fog on the Barrow-Downs

(I'm doing something new here where I bold and italicize Tolkien's words to draw more emphasis to them. Let me know if it helps or if I should do it differently)

In this chapter, Frodo and company set out across the foreboding Barrow-downs and are, of course, snatched by the wights into danger.

When Frodo comes to after fainting, he is in a Barrow - he assumes - and is flat on his back on a stone table with his arms crossed on his chest (remember, this is a tomb after all...) Looking around, the other Hobbits on on the ground near him but it is an otherwise empty room. The others look asleep or, worse, dead!

This is an important chapter because it really does define Frodo as courageous, much moreso than he appears in the films.

Under the Spell of the Barrow Wights by Ted Nasmith

Frodo's Courage

Upon looking around, Frodo at first feels frightened which is pretty understandable considering the dark tales of the Barrow-downs that have been his only experience with the region. Instead of cowering as one might expect, Frodo feels a stirring a courage and he thinks of words that Bilbo had often shared.

"There is a seed of courage hidden (often deeply, it is true) in the heart of the fattest and most timid Hobbit, waiting for some desperate danger to make it grow." Tolkien then explains how highly Gandalf and Bilbo thought of Frodo, considering him the best Hobbit in the entire Shire - which is quite high praise coming from this pair!

Frodo puts this into action as he sees a dismembered hand creep its way toward Sam. He grabs a nearby blade and hacks at the hand, keeping it away from his friends. 

This is the first act of clear and expressed violence in the book and it is Frodo who does it to save his friends. I think this is significant in defining his progression as a character and as a "trendsetter" of sorts among the Hobbits.

Fear grips Frodo again, however, as he hears the terrible chanting of the barrow-wights. Once again, Frodo finds courage and begins softly signing Tom Bombadil's song to call him to the Hobbit's side. The words bolster him as he sings and by the end, Tom has arrived by breaking down a wall to the room.

Tom promptly banishes the wights through his songs, shouting them down, proclaiming that his songs are stronger songs. (Power of the voice, yada, yada, yada)

Tom's Memory

After saving the Hobbits, Tom gathers up the treasure of the Barrow and sets it upon the now sunlit hilltop for all creatures to come and take as needed. He gives the Hobbits each a sword of old Arnorian make (back when Aragorn's ancestors ruled the North) which are still quite powerful. Upon giving these Tom comments on the swords' importance "Few more remember them,  yet still some go wandering,  sons of forgotten kings walking in loneliness,  guarding from evil things folk that are heedless"


Tom is talking about the Rangers of course! Wonder why the Shire hasn't seen any violence since wolves invaded a few centuries before? The Rangers. Why it is so strange to hear of evil things even around Bree where Hobbits have spent a good deal of time? The Rangers. 

The Hobbits, or Frodo at least, also receive another vision here on the expanse of the years since the forging of their new blades. They see lines of marching men, tall and grim in bright series, and the last among them came with a star upon his brow.  The reader who is familiar with the series knows that this is Aragorn, who is called Elessar (elf-stone) for the symbolic "star of Earendil" that the line of kings wore.

I only noticed this on a later read-through but this really sets up Aragorn much better than I had initially thought, and Toms words describes Aragorn, their leader, impeccably.

Tom also takes a small brooch adorned with blue stones for himself, saying "fair was she who long ago wore this on her shoulder" I took great interest in this quote when reading through this current time and thinking about who this lady was. Tom speaks of this brooch as if remembering a fond memory of ancient times. Similarly, it must have been long ago indeed if Tom is calling it long ago. This guy was there at the dawn of time remember?

I have come to two theories, each of which are plausible and there really isn't much else to help determine which one could be true

Theory 1: Luthien
The story of Beren and Luthien is one of Tolkien's best known works of the 1st Age (LOTR takes place in the 3rd Age) telling of the human Beren going through great, unbelievable tasks (like the tasks of Hercules) to be with the Elven-born Luthien.

Luthien is described as the most beautiful thing to have ever lived and her romance with Beren is the best love story that Tolkien wrote (Aragorn and Arwen are like a watered down parallel story to this). The brooch would presumably have been passed down through Luthien's descendents to her grandchildren Elros and Elrond. Elros chose to become a human, unlike his twin brother Elrond (yes, THAT Elrond) and Elros became the first King of Numenor and the ancestor to Aragorn. This brooch would have passed down the lines and eventually been in the hands of the rulers of the old Northern kingdom of Arnor when Aragorn's ancestors Elendil and Isildur ruled it. Eventually, it was lost with the rest of the Northern kingdom when the Witch-king invaded.

This theory also has some plausibility as Aragorn wears the Ring of Barahir, a legendary heirloom of his house that was traced back to Beren - Luthien's husband. I love the symbolism of the two relics being passed through the generations and one being lost represents the fall of the kingdom. When Tom recovers it, it's a sign that the dark days are done and the Return of the King is soon!

Theory 2: Noble lady of Arnor/Queen of Arnor
Similar to Theory 1, this places the brooch as an item of importance to the history of Arnor. Presumably, this brooch belonged to a noble lady, maybe even a queen, who met with Tom and Goldberry long ago before their kingdoms fell. This would perhaps fit better with the casual way that Tolkien describes the brooch without placing much importance on it.

Conclusion:
I'm going to keep thinking it belonged to Luthien. I love the parallel with the Ring of Barahir, and the ties to Tolkien's favorite female character (his wife's tombstone has the name "Luthien" engraved on it). I also think that it fits with Tom's reckoning of time (a few ages back was definitely a long time ago, even for him), and Tolkien is also not very descriptive of Glamdring, Gandalf's sword, when they find it in "The Hobbit." Glamdring was wielded by Turgon, one of the most powerful Elven kings to have lived, a fact that Gandalf surely would know since he knew the name of the sword, yet Tolkien omits it. Important historical things are not always called out explicitly by Tolkien.

In any case, I love moments like this where I can create my own reasoning for what something is and how it ties together. What do you think the brooch is?