Friday, October 11, 2013

Book 2 Chapter 7: The Mirror of Galadriel

Apologies if parts of this post seem incongruous, I wrote it during a layover and on a flight next to the Monopoly Man so it was a bit disorienting.

Alright, I haven't really made much of a stink about things I dislike in the film versions so far but this chapter kind of blows in the films.

Granted, it adds some tension after the death of Gandalf which is needed to keep folks interested (also why they added the death of Boromir to Fellowship instead of leaving it in Two Towers) but the portrayal made Galadriel look a bit silly in my opinion.

This chapter centers around the mighty and powerful Elves Galadriel and Celeborn and their magical kingdom of Lorien. Considered the wisest and most powerful of elves in Middle-Earth, including Elrond, this is the Fellowship's last chance at wisdom and safety before really entering the main stretch of the journey.

I think the namesake of the chapter is the most interesting part, where Frodo and Sam look into the waters of the Mirror and see what was, is, or may yet be be. Sam sees the destruction of the Shire, perhaps seeing what is currently going on, or perhaps a vision of the Shire at the end of Return of the King when Sharkey's men take over the land and pillage the fair countryside. Sam yearns to go back home but Galadriel is quick to remind him that previously he knew the Shire could be in danger but would not leave Frodo's side. Sam is quick to remember his loyalty and despite the growing darkness of the last few chapters, agrees that he will finish the quest with Frodo.

Frodo sees his place in the larger history of the Ring and sees the eye of Sauron himself. Unlike the film which has Sauron as a stupid literal burning eye, the eye here is metaphorical. Sauron has a far reaching gaze due to his powers but has an actual body. Frodo, as a Ring bearer, can sense his power and knows he is being hunted specifically which is an advantage the other members of the Fellowship don't share.



Galadriel, as a Ring bearer as well, knows Frodo can see the gaze of Sauron and is empathetic to his plight. In return he offers the Ring to Galadriel as she is the most poweful and mighty of the Elves and could surely succeed.

This is where I dislike the film's intepretation.

Galadriel is tempted and is vocal about her thought process. She would start as benevolent and slowly decay into tyranny. Instead of a Dark Lord, they would have a Dark Queen. In the end, she returns to herself and simply shrugs, "I pass the test." and accepts her fate that the Elves will diminish with the destruction of the Rings.

Specifically, I dislike how Galadriel is portrayed as becoming "beautiful and terrible". I thought the effects making her look like a radioactive feral ghoul were over the top and out of character. While she is severely shaken by the ordeal. She isn't really in danger of taking the Ring from Frodo and I think she knows it the entire time. She can feel the Ring's pull and has a certain desire to use it for good, but that temptation, while enough to overpower the less wise, is nothing to her. She willingly turns away, what only Gandalf has done so far.

Watching some of the extra features and "Making of" clips out there, they had originally filmed several other versions of the "transformation" and most of the others were much more subdued compared to the most extreme one which made it into the films. Most of the others were like Gandalf in Bag End when he stands up to Bilbo, the lights dim, and things shake a bit. Way more subtle, speaking to a great personal strength, and getting the point across in a manner that fit his personality and character.

This is pretty shockingly anti-Galadriel and one of the Top 3 dislikes in the film series.




P.S. While I'm ranting about PJ's (otherwise fantastic) interpretations of Middle-Earth, how do you NOT turn the effin' leaves at least a HINT of gold during post-production? The golden forest is a huge distinction from the other forests we see in Middle-Earth and speaks directly to the fantastic power and influence of the Elves. This is lazy stuff right here.
Peter Jackson's version

J.R.R. Tolkien's own sketch

Ted Nasmith's version based on Tolkien's sketch


It's not a huge deal, but a few touches of gold instead of the blue/silver motif they went with would have been nice.


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