Book 2 Chapter 4: Journey in the Dark - "The Wild West of Middle-Earth"

A Journey in the Dark is like "A New Hope" of chapters. The Rebels (Fellowship) are a bit down and out after being thwarted in their plans (Path over Caradhras and the capture of Princess Leia aboard the Tantive IV) There's a bit of soul searching and naval gazing before being forced to commit to a path that will really define the rest of the story (Burning of the Lars' Farm in Star Wars, and the entrance to Moria being blocked by the Watcher).

There's a lot of tension building and from the title itself, it's clear that things will not go well for the party.

Road to Moria

After fleeing down the mountain, defeated, a council is held by the Fellowship and Gandalf quickly outlines the two options before them: go back defeated, or continue on through other means. Only Sam, Merry, and Pippen seem excited about the chance of returning. Frodo quickly quenches this simply stating that they "must go on". Frodo, perhaps alone apart from Gandalf, knows the true weight of the Ring.

With that in mind, there are two options: journey south through the Gap of Rohan or go through the halls of the former Dwarven kingdom of Khazad-Dum or Moria. The Gap of Rohan is very narrow and adjacent to Saruman which everyone agrees would be a bad path to take. However, Moria does not seem much more appealing.

Boromir compares Moria (which is Elvish for "Black Pit" by the way) to the tower of Sauron himself in its dark and wicked reputation. Gandalf is very quick to refute that. He alone of the party has been to a fortress of the Enemy (Dol Guldor) and he knows that Sauron is the most formidable enemy currently imaginable.

Also, both Gandalf and Aragorn have made the trek through Moria before so it is not a wholly untrodden path. Despite this, or perhaps because of it, Aragorn warns Gandalf. "It is not of the Ring, nor of us others that I am thinking now, but of you Gandalf. And I say to you, if you pass the doors of Moria, beware."

I don't think Aragorn is particularly magically gifted with foresight but this prophecy is pretty clearly fulfilled in the following chapter. Similar to how Frodo received visions of Gandalf earlier in the book, I think this is a sort of "divine spark" that Aragorn receives. Tolkien is pretty blatant in that all forms of "magic" flow from the divine and that these visions are what the Valar or Eru Illuvatar (God) himself wants them to see.

But Gandalf wants none of that crap, and so they push towards Moria.

But the path is pretty rough. They are surrounded and attacked by packs of Sauron's wargs and Gandalf is forced to use a Word of Command again to summon fire and frighten away the Wargs.

Once again, Gandalf decides that if he does not tap into a "cheat code", they will all perish. I think the films gloss over just how damn dangerous and rough this journey was in favor of nearly indestructible adventurers swashbucklin' through Middle-Earth. Not that this wasn't entertaining but Gandalf is literally an angel and has to resort to a higher power to pull them through the darker points.

I think this is very important to Tolkien in both his personal view of "higher powers" and for replicating an "authentic" mythological vibe. Personally, Tolkien was always adamant about the power of religion and it played a huge role in his personal life. His closest friend was fellow professor and noted Christian author C.S. Lewis and Tolkien is not shy that Christianity deeply affected his work both directly and indirectly. Within the context of Middle-Earth, "higher powers" often play a pivotal role in shaping the destiny of heroes. In Greek mythology, most stories are literally about the Gods messing around with mortals and directly changing their lives. Tolkien is tapping into this tradition by having Gandalf, a minor deity in his own right, play such a direct and powerful role.

Essentially, he is saying that some things are beyond the mortal races, and that's okay.

The Door

I think the "Watcher in the Water" is one of the cooler and weirder things in Middle-Earth since it is a creature unmentioned in any of Tolkien's other works, unlike Balrogs, Dragons, or Orcs, and instead stands on its own: a mystery like Tom Bombadil, not meant to be solved.

Password into Moria by Ted Nasmith

Gandalf remarks that there are "older and fouler things than Orcs in the deep places of the world" as the Fellowship approaches Moria. I think its clear that he means that the deepest depths of places like Moria contain things that no one can really comprehend. Later in the chapter, Gandalf comments that the lower levels of Moria are flooded, which could allow such a creature to escape a subterranean prison (perhaps the lake the Gandalf/Durin's Bane fall into?). Perhaps the creature fled because of Durin's Bane? Maybe or maybe not, but it's plausible and I like to think that there is only room for one real big bad guy in Moria at a time.

Also notable when the Fellowship enters Moria, is that no one really feels a sense of dread. Its understood that Moria is a FREAKIN' HUGE PLACE! It spans the length of a mountain change and goes up and down several levels. There's no possible way that Gandalf, Gimli, or anyone else could possibly say if Gimli's cousin Balin successfully resettled a portion of Moria because it might take days to even reach the other side. 

I think this is significant because Moria is sort of the "Wild West" of Middle-Earth. It's unknown around each corner if law or chaos will rule and there's a real sunovabitch who runs around in the lawlessness of the lower levels (Durin's Bane). Balin (Gimli's cousin and Bilbo's friend from "The Hobbit") is playing The Sheriff and resettling the lawless land. 

Mithril!

While walking through Moria, Gandalf comments that the wealth of Khazad-Dum was not in gems or gold, but in  mithril, a substance that is like Kevlar in protection and diamond in preciousness. Gandalf remarks that Bilbo received a full suit of Mithril mail from Thorin as a present for retaking Erebor. Gimli is astonished at the gift, as mithril is both incredibly rare and valuable, even for kings. 

No one else in the party knows that Bilbo gave Frodo that magnificent armor but Frodo is thinking deeply about it. Frodo wonders if Bilbo knew about how valuable mithril was when he gave the armor to Frodo. Frodo eventually decides that Bilbo did know and consciously chose to give Frodo the mail any way.

This is very significant and one of the reasons that Frodo is carrying the Ring instead of anyone else. The Hobbits are unique among the mortal races in being able to fathom giving away personal power, wealth, and glory. Gimli can't imagine Thorin giving away such a gift, Elrond is afraid to touch the Ring, and Boromis tries to take the Ring later. Frodo (and the other Hobbits) are the only ones who care about each other more than power over their fellows. This virtue alone is the crux of the entire story and the real strength of Hobbits. The humblest of the races offers the most to their salvation.

Conclusion

This chapter has some other cool parts, especially in the description of Moria itself. Even after reading the books several times and watching the films, I still marvel at the size and grandeur of Moria. It's like if Buckingham Palace was the size of Vermont and each room had a unique story to tell. 

Just imagine all the cool things the dwarves left in there!

My favorite part of Moria that is often overlooked is that the Dwarves built God damned skylights into the inner halls! Thousands of feet through sheer rock, the Dwarves cut straight paths that allow natural light to enter the dark halls. It seems like such a small accomplishment when Tolkien throws it in casually near the end of the chapter, but it really speaks to the grandeur of Khazad-Dum.

Reread this chapter and think about how Moria was constructed in the first place. It was the "Garden of Eden" for Dwarves (where Durin first woke at the dawn of time), and the first Dwarven kingdom.

The Dwarves had millenia to construct Moria. Even after centuries of occupation, Khazad-Dum remains, in my opinion, the most marvelous and spectacular single location in Middle-Earth.